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Drum & Bass is a subgenre of Electronic music that is characterized by fast breakbeats, and it typically sits between 160-180 BPM. Drum & Bass started in the United Kingdom after emerging from the rave & jungle scenes during the early 1990s. It incorporates influences from many scenes, and its most major influences come from the Jamaican Reggae sound.

Drum and Bass has many different subgenres, such as Liquid, Techstep, Neurofunk, Jump-Up, and more. It has influenced many other genres of Electronic music, and has made its rounds across the international dance music scene.

The color associated with this genre for Monstercat releases is a bright red.

Commonly Referenced Subgenres: Edit

Ambient Drum & Bass: One of the more uncommon strains of the Drum & Bass sound, Ambient Drum & Bass puts more of a focus on percussive elements, such as light tambor and foley making up melodic elements in the track, melodies created with the piano, and ambiance in the tracks to differentiate itself from a more common subgenre of Drum and Bass, Liquid DnB.

TwoThirds - Lost

TwoThirds - Lost

Nigel Good - Cloudstepper

Nigel Good - Cloudstepper

Dancefloor Drum & Bass: In the current ecosystem of the Drum & Bass scene, Dancefloor Drum & Bass can be easily seen as the most standard form of the genre. It focuses mainly on the heavily swung kick on beat one and snare on beat 2 groove (although some drum patterns within songs in this subgenre often use a double 8th note kick on beat one pattern) and melodic chord progressions through heavier tech styled bass leads being brought out within its production, such as the lead sounds in Muzzy’s tracks Worth The Lie and Break Away, Muzzy has also made numerous tracks using heavy futuristic synthesizers that bring out a lighter and less bassy, tech flavour, such as the 3rd drop in Endgame and the whole track in Spectrum.

HALIENE - Dream In Color (Mazare Remix)

HALIENE - Dream In Color (Mazare Remix)

Dimension & Cameron Hayes - Devotion

Dimension & Cameron Hayes - Devotion. Cameron Hayes)

Halftime: A style of Drum & Bass that is written at half-speed (as implied by the name), and influenced by many scenes such as Hip-Hop, Jungle, & Grime. It is typically more experimental and diverse than other Drum & Bass subgenres, using Neuro leads, heavy Techstep/Neurofunk drums, and Dancefloor synthesizers to create an amalgamation of Drum and Bass sound. With acts such as Vorso, Droptek, & Clockvice making many unique tracks in the genre.

Billain & Vorso - Transhumanist

Billain & Vorso - Transhumanist

KUURO - Omen

KUURO - Omen

Clockvice & Vorso - Limbo

Clockvice & Vorso - Limbo

Jump-Up: A heavier and more "robotic" side of Drum & Bass, Jump-Up makes large use of single-note melodies and 4-on-the-floor non swung beat patterns as opposed to the common practice of swung breakbeat patterns in other forms of the genre. It still remains popular to this day within the UK Drum & Bass scene.

Protostar & Muzzy - MELTDOWN

Protostar & Muzzy - MELTDOWN

Muzzy - Crescendo

Muzzy - Crescendo. MYLK) -Monstercat Release-

Liquid Drum & Bass: A more atmospheric side to traditional Dancefloor Drum & Bass, and somewhat similar to Ambient Drum & Bass, Liquid Drum & Bass makes use of more traditional Drum & Bass sound design, with vibrant melodic synths, busy percussion, and euphoric atmospheric elements while still keeping a more minimalist sound. There are labels dedicated to this subgenre, the most notable of which being Hospital Records.

Polaris - Lessons Learned

Polaris - Lessons Learned

Bustre - Combine

Bustre - Combine

Neurofunk: A subgenre of Drum & Bass that spawned from Techstep. It can be considered one of the darkest forms of Drum & Bass, and makes use of heavy reese basses, snares layered with higher pitched impact sounds, and sidechained sub bass patterns connected to the kick within its sound design. It is also typically heavily sci-fi themed.

Prophet - Nuclear Icebreaker

Prophet - Nuclear Icebreaker

ShockOne - Til Dawn

ShockOne - Til Dawn

Techstep: A subgenre of Drum & Bass that is characterized by its darker mood, it makes use of deeper basslines, industrial foley and tambor drums, very clean, polished drums, and special synths that rely more on a bass structure to give them a brash, metallic sound to create a polished sound, as if the track was being produced in a factory by robotic machines.

Bustre - Everything's Different

Bustre - Everything's Different

Bustre - ZERO-G

Bustre - ZERO-G. 1

[ vte ] Alphabetical List of Drum & Bass Songs (Genre)
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Zero-G
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